Washing Day: Variable Oystercatcher (print)
From an original acrylic painting by Marie-Claire Colyer
Limited Edition prints are signed and numbered and come with a certificate of authenticity. Both Open Edition and Limited Edition prints include the Marie-Clarie Colyer embossment, authenticating them as archival authorised giclée prints.
Printed on Canson fine art paper (archival, 100% cotton, 210gsm for A4 and A3, 310gsm for A2) using fade-proof archival inks, with a white border for framing.
Prints are unframed, ready to fit into a standard A size frame.
Matted A4 prints are ready to be framed in a standard 11 x 14 inch frame (4-ply acid-free, archival print mats have a faint linen-texture).
Includes shipping within Australia. Orders are shipped within a week (except A1). Please allow 3 weeks before shipping for A1 sized prints.
Want to know more? Read FAQ here.
Original artwork FOR SALE
From an original acrylic painting by Marie-Claire Colyer
Limited Edition prints are signed and numbered and come with a certificate of authenticity. Both Open Edition and Limited Edition prints include the Marie-Clarie Colyer embossment, authenticating them as archival authorised giclée prints.
Printed on Canson fine art paper (archival, 100% cotton, 210gsm for A4 and A3, 310gsm for A2) using fade-proof archival inks, with a white border for framing.
Prints are unframed, ready to fit into a standard A size frame.
Matted A4 prints are ready to be framed in a standard 11 x 14 inch frame (4-ply acid-free, archival print mats have a faint linen-texture).
Includes shipping within Australia. Orders are shipped within a week (except A1). Please allow 3 weeks before shipping for A1 sized prints.
Want to know more? Read FAQ here.
Original artwork FOR SALE
From an original acrylic painting by Marie-Claire Colyer
Limited Edition prints are signed and numbered and come with a certificate of authenticity. Both Open Edition and Limited Edition prints include the Marie-Clarie Colyer embossment, authenticating them as archival authorised giclée prints.
Printed on Canson fine art paper (archival, 100% cotton, 210gsm for A4 and A3, 310gsm for A2) using fade-proof archival inks, with a white border for framing.
Prints are unframed, ready to fit into a standard A size frame.
Matted A4 prints are ready to be framed in a standard 11 x 14 inch frame (4-ply acid-free, archival print mats have a faint linen-texture).
Includes shipping within Australia. Orders are shipped within a week (except A1). Please allow 3 weeks before shipping for A1 sized prints.
Want to know more? Read FAQ here.
Original artwork FOR SALE
ARTIST’S STATEMENT
Variable oystercatchers are distributed across New Zealand and have different colour phases from all black, to smudged black and white front, to all white front. This last phase closely resembles the pied oystercatcher which is also found in Australia, but the boundary between the colours is blurred and the variable oystercatcher lacks the white line between chest and folded wing.
This artwork was created from a photograph taken where the Whareroa Stream cuts through Raumati South Beach to the sea. It is a reminder to me of the moments that hang distilled in time, listening to the pitch-perfect fluting of the oystercatcher’s call.
The surf surges along the shore, embracing water rippling over black sand to meet it. Lined with toheroa and pipi shells the tannin-steeped waters run rapidly to the sea. Sunlight catches droplets as a variable oystercatcher bathes, ruffling its feathers while its mate higher up the bank pitches its haunting call down the length of the monochrome beach.
