Repast: Green Rosella (print)
From an original drawing by Marie-Claire Colyer. (Photo credit David Clode).
Limited Edition prints are embossed, signed and numbered and come with a certificate of authenticity.
Printed on Canson fine art paper (archival, 100% cotton, 210gsm for A4 and A3, 310gsm for A2) using fade-proof archival inks, with a white border for framing.
Prints are unframed, ready to fit into a standard A size frame.
Matted A4 prints are ready to be framed in a standard 11 x 14 inch frame (4-ply acid-free, archival print mats have a faint linen-texture).
Includes shipping within Australia. Orders are shipped within a week.
From an original drawing by Marie-Claire Colyer. (Photo credit David Clode).
Limited Edition prints are embossed, signed and numbered and come with a certificate of authenticity.
Printed on Canson fine art paper (archival, 100% cotton, 210gsm for A4 and A3, 310gsm for A2) using fade-proof archival inks, with a white border for framing.
Prints are unframed, ready to fit into a standard A size frame.
Matted A4 prints are ready to be framed in a standard 11 x 14 inch frame (4-ply acid-free, archival print mats have a faint linen-texture).
Includes shipping within Australia. Orders are shipped within a week.
From an original drawing by Marie-Claire Colyer. (Photo credit David Clode).
Limited Edition prints are embossed, signed and numbered and come with a certificate of authenticity.
Printed on Canson fine art paper (archival, 100% cotton, 210gsm for A4 and A3, 310gsm for A2) using fade-proof archival inks, with a white border for framing.
Prints are unframed, ready to fit into a standard A size frame.
Matted A4 prints are ready to be framed in a standard 11 x 14 inch frame (4-ply acid-free, archival print mats have a faint linen-texture).
Includes shipping within Australia. Orders are shipped within a week.
The green rosella or Tasmanian rosella is a parrot native to Tasmania and Bass Strait islands. It is Australia’s largest rosella. Like most rosellas, the green rosella has a bell-like call in flight and a noisy chattering when foraging.
My studio in Sydney is close to a national park. Each morning another species of rosella, the crimson rosella, visit to chatter and nibble the grass seeds of my front lawn and when in season the port wine magnolia blooms. This endearing chattering is a backdrop to my morning work.
Here I have drawn a green rosella nibbling on seedheads with the light flickering through silhouetted trees in the background.